川本社彦/MORIHIKO KAWAMOTO×kurogane Frame/MAYO YOSHIDA-アート-
《川本社彦/MORIHIKO KAWAMOTO》
その時々で体を浸す音楽や出会った人との会話、移ろいゆく季節への感傷…
「わたくし」が出会う幾多の記憶とエモーションを指先に込めて、紙の上に残す
図上の様々な造形的要素が観る人に換気するイメージには
「断面を目撃する」という行為に人間が抱く根源的な豊かさへの憧憬と
紙面の外側へと際限なく続いていく命の気配へと向けた希望が通底している
I began drawing with a brush pen at the age of 15. It was prompted by a sudden, life-changing event—an injury to my neck caused me to lose consciousness during a routine exam and fall into a brief coma. Even after regaining consciousness, I could breathe but found myself unable to feel my limbs, as if my body had been severed from me. The sensation of death brushing close that day, combined with the vivid, pulsating vision that greeted me when I opened my eyes again, left an indelible mark. I was compelled to pick up paper and a brush pen, driven by an overwhelming urge to capture that experience.
In those moments, I began to pour onto the paper the sounds of music that enveloped my body, conversations with people I encountered, and the poignant nostalgia brought by shifting seasons. Each stroke of the brush pen became an embodiment of the countless memories and emotions that “I” encountered, flowing through my fingertips onto the page.
The various shapes and forms that emerge on the paper carry an ever-present longing: a yearning for the profound richness found in the act of witnessing a cross-section of existence, and a hope directed toward the boundless vitality that extends beyond the edges of the paper. These elements converge to evoke in the viewer a resonance with the continuity of life itself, endlessly stretching outward.
《kurogane Frame MAYO YOSHIDA》
子供の頃、母に連れられて行った美術館でふと額縁が目にとまりました。絵画に寄り添い、建築との境界として存在する額縁は、華やかな彫刻に金箔が施され重厚な光りを放ちつつも、自己を主張することなく静かに佇んでいるように見えました。誰が作ったかも分からない、そんな額縁に魅了されこの額縁の世界に進み、作品や空間に合わせて受注生産を行うkurogane額縁と、額縁を作品と捉え制作するMAYO YOSHIDAとして貪欲に額縁と向き合っています。岡山県岡山市出身。
《SIZE》
W22cm×D2.5cm×H27cm
《WEIGHT》
415g
《MATERIAL》
ペーパー/木
